Creating the Art of the Everyday 1896-1986


A DocuSeries Proposal

Written and Produced by Bill Stern
Directed and Produced by PJ Letofsky


... revealing the often invisible role women have played
in making California a leader in world design

Florence Lundborg (1871-1949), poster for the San Francisco literary magazine The Lark, 1897.


This unprecedented series tells the story of how women in California have made- and continue to make- major contributions to design in America. From the earliest known commercial products by a woman in California - posters by Florence Lundborg of San Francisco in 1896- to Mid-century Modern textiles by Ray Eames, to the first commercially-printed computer-aided graphic, by April Greiman in Los Angeles in 1986, California women have helped shape the look of everyday life in the twentieth century, but their work was often uncredited and unacknowledged. Our aim is to recognize the ground-breaking contributions these women have made to American design.



Commercial design is driven mainly by the marketplace: products, no matter how artful, are made for customers. In 1900 San Francisco was the state’s demographic and financial center with a population of 342,782 (New York City’s population was 3.5 million). Since the Bay Area was too small a market to support local industrial production thus housewares were often bought by mail order and luxuries were shipped in from China, Japan and Europe.
However, two dramatic events led to market booms which allowed women to flourish as designers and entrepreneurs: the devastation of the 1906 San Francisco earthquake and, much later, the economic -- and social -- upheaval brought about by World War II.

Deborah Sussman (1931-2014)
May & Vieve Hamilton, Rippled dinnerware, Vernon Kilns 1936

The powerful earthquake and ensuing conflagration that destroyed much of San Francisco created unexpected opportunities for women designers. After the catastrophe thousands of housing units had to be replaced, as well as their contents. The upheaval of the Second World War not only improved the position of women in America, but also allowed them to flourish as designers and entrepreneurs, especially in California. It was there that the arrival of almost three million people between 1942 and 1950 — for work in war-related industries and the subsequent boom — produced an unprecedented market for housewares.

Muriel Coleman and Dorothy Schindele created modern furniture from surplus stocks of metal rods and tubes bent, cut and welded together to form the exposed frames of chairs, desks and shelving, while Greta Magnusson Grossman added the warmth of wood in her Mid-century Modern furniture.

In 1957 Ruth Handler began the development of Barbie, envisioning an adult doll that would appeal to a young girl’s desire to become an independent woman.The designers at Mattel balked: Handler thought that “they were all horrified by the thought of … [making] a doll with breasts.” Nonetheless,
Barbie went on to become the world’s best-selling toy for several decades — 15 million were sold in 2011 alone — and Barbie became the most universally distributed example of California design.


As we proceed toward the 1970s and 80s we highlight designers of such cutting edge products as Styrofoam surfboards (Cher Pendarvis) and acrylic jewelry (Judith Hendler). And we close our story with two of the most important developments in graphic design: the popularization of super-graphics (Deborah Sussman) and the proliferation of computer-aided graphics (inspired by the pioneering work of April Greiman).

The designers interviewed will include Marilyn Austin, Renee Firestone, April Greiman, Judith Hendler, Ester Hernandez, Nancy Hom, Gere Kavanaugh, Cher Pendarvis, Barbara Stauffacher Solomon and Deborah Sussman. Design experts featured include: Pat Kirkham, Professor of Design History; Frances Anderton, design and architecture journalist; and Margaret Bach, interior designer.

This open-ended docuseries, directed by prominent women directors, will bring our story up to the present and into the future.



Ray Eames (1912-1988)
“I never gave up painting, I just changed my palette.”
Ray Eames was born in Sacramento, California, in 1912. In 1929, Ray and her mother moved to New York where Ray studied painting with abstract expressionist Hans Hoffman at the Art Students League. In 1940 she enrolled in the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where she soon became part of the team collaborating on designs by Charles Eames, the head of the Industrial Design Department, and the aspiring architect/designer Eero Saarinen. Ray and Charles were married in 1941 and moved to Los Angeles where she both collaborated with Charles and worked on her own, mainly creating printed textiles and graphic designs (notably covers for Arts & Architecture Magazine).
Deborah Sussman (1931-2014)

“the idea of the supergraphics was not that it was just bigger, but that it was bigger than the architecture…as though it had flown over the architecture. And much of the pioneering work [in supergraphics] was done by women in California.”

Deborah Sussman was born in Brooklyn in 1931. She attended Black Mountain College, Bard College and the Institute of Design in Chicago where she specialized in graphic design. In 1953 Charles Eames invited her to join the Eames Office in Santa Monica where she worked on exhibits for IBM, the government of India and the Ford Foundation. In 1957 she was awarded a Fulbright Scholarship to study in Germany. In 1968 she started her own practice and it was around this time that her work popularized the use of supergraphics, bold motifs integrated into the architecture of indoor and outdoor spaces. The look of the 1984 Los Angeles Olympics was defined by Sussman’s playful graphic identity and directional signage. She continued to impact the way people experience places through her more recent work on “Grand Park” in downtown Los Angeles.

Judith Hendler (b.1941)

“My husband introduced me to the acrylic: his best friend made windows for airplanes and this created a lot of scrap…so I started making jewelry…it was sort of pioneering…that was before the words recycling and repurposing were in fashion.”
Los Angeles-born artist/designer Judith Hendler had been working with other materials when, 
in about 1977, her future husband Herb Ritts Sr., introduced her to Lucite. Ritts produced furnishings made of surplus Lucite from aircraft construction to accent the furniture that he manufactured for his Los Angeles store and Judith saw its potential for jewelry. Not long after she began making Lucite jewelry in the late 1970s she founded Acri-Gems, Inc. and soon her products were being sold nation-wide in such stores as Bonwit Teller, Saks Fifth Avenue, Bloomingdale’s and I. Magnin. And in the 1980s her jewelry was worn on several television programs, notably by Joan Collins on “Dynasty,” one of the top-rated shows at that time.

Holly Harp

“I wanted to make clothes. I wasn’t going to look for a rich guy. I was going to go back to school and have a career, and make money myself.”

Greta Grossman (1906-1999)
“Often it was a drawback to be a woman, but it kept you on your toes. You had to be a step ahead or else.”

Greta Magnusson Grossman was already a successful designer of furniture and housewares in her native Sweden when she and her American husband came to Los Angeles in 1942. She went on to incorporate her Scandinavian aesthetic into the mid-century idiom while designing furniture for Glenn of California and lighting for the Ralph O. Smith Manufacturing Company among others.

Edith Heath (1911-2005)
“Good design doesn’t depend on whether something is made by hand. In fact, there are some very junky things that can be made by hand.”

Edith Kiertzner Heath was born to Danish immigrant parents in Ida Grove, Iowa.
She graduated from Chicago’s Normal College in 1934 while also studying at the Chicago Art Institute and later at the California School of Fine Arts. Starting as a studio potter, she had her first exhibition in 1944 at the Museum of the Palace of the Legion of Honor. She and her husband Brian operated Heath Ceramics in Sausalito, California, from 1949 until 2003, producing distinctive stoneware designs that made her one of America’s preeminent designers of dinnerware and architectural tiles. Her work is in the collections of numerous museums including the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Museum of California Design and the Dallas Museum of Art.

Gere Kavanaugh (b.1929)

“When I came here to California, it was completely different- absolutely completely different. You could do anything you wanted to out here. You just did it! But, you had to be responsible for it, and you had to make it work.” When asked, “What do you like to design?” she replied, “Anything I can get my hands on.”

Gere Kavanaugh, a prolific designer originally from Memphis, Tennessee, has lived and worked in Southern California for most of her professional life. She received a Master’s Degree in design from Cranbrook Academy of Art where she was the only female student in her graduating class. She then worked for General Motors on the interiors of the company’s Tech Center following which she came to Los Angeles to work with the architect Victor Gruen. In 1974 she started her own design firm, Gere Kavanaugh/Design, a multidisciplinary office creating environmental design, interior design, graphic design and new product development. Kavanaugh has designed furniture, dinnerware, lighting, textiles and wallpaper and the interiors of galleries and stores. In the mid-1970s she established Geraldine Fabrics. She has taught at Southern California Institute of Architecture, Otis College of Art and Design and Art Center College of Design.

Cher Pendarvis

“In college I built surfboards to work my way through school… I was the only woman at the surfboard factory.”

Ruth Handler (1916-2002)

…”they [the male designers] were all horrified by the thought of…[making] a doll with breasts.”

In 1957 Ruth began the development of Barbie, envisioning an adult doll that would appeal to a young girl’s desire to become an independent woman. Ruth Moskowicz Handler was born in Denver to Russian Jewish immigrants. In 1938 she and her husband, Elliot Handler, moved to Los Angeles. Wartime restrictions cut off supplies he used to make acrylic furniture, but after the war the couple’s company Mattel Inc. initially flourished with the sale of 11 million plastic ukuleles. Barbie went on to become the world’s best-selling toy for several decades– 15 million were sold in 2011 alone which made it the most universally distributed example of California design.

Evelyn Ackerman (1920-2012)

“Sometimes, when I’m very obsessive, nothing can stop me.”

Evelyn Ackerman came to Los Angeles from Detroit with her husband Jerome in 1952. Their company, ERA Industries, produced home furnishings in a modern aesthetic that made them part of Mid-Century Modern California Living. Evelyn reinvigorated the crafts of mosaic and tapestry, creating wall hangings, mosaics for tabletops and architectural facades. Between 1959 and 1971 her work was included in seven of the California Design shows at the Pasadena Museum of Art and in the last California Design Show at the Pacific Design Center in 1976.

April Greiman

“I liked getting into the Web environment because you really had a space and you could move things in space or access information spatially…I never talked to a client about a ‘home page’…It was like a ‘home space’.”

Ester Hernandez

“In the middle of the grape fields there was the Sun Maid logo. I saw it and it just clicked: I was going to unmask that image.”

Renée Firestone

“I was a California designer. I mean, all my ideas really came from California- from the nature of California, from the lifestyle of California- definitely.”

Esta James

“I’m not a designer. I’m a revolutionary!”


In creating this series we are drawing upon the three years of research that led to the ground-breaking Museum of California Design exhibition California’s Designing Women: 1896-1986 — and to the book of the same name — by Bill Stern. Our project is enriched by the original scholarship they were based on. The original footage that we will create for the series will be augmented by lively interviews with a number of designers that were conducted by the Autry Museum when California’s Designing Women: 1896-1986 was shown there. And our Team includes design experts Pat Kirkham, Professor of Design History; Margaret Bach, interior designer; Barbara Bestor, founding Principal of Bestor Architecture: Judie Rosenman, veteran television producer: Sheila Tepper, radio arts producer and design activist. Our vision is to create an ongoing docuseries
that will bring our story up to the present and on into the future.



Creator/ Writer/ Producer

Bill Stern, curator, author and lecturer, is executive director of the Museum of California Design. His exhibitions include: California Pottery: From Missions to Modernism, San Francisco Museum of Modern Art and Autry Museum, Los Angeles; Mid-Century Mandarin: The Clay Canvases of Tyrus Wong, CAFAM, Los Angeles; Starring William Haines, Pacific Design Center, Los Angeles and Palm Springs Convention Center; California’s Designing Women 1896-1986, Autry Museum, Los Angeles; Frank Gehry: 40 Years of Product Design 1972 to 2015, JFChen@1135, and Plastics from Paradise: California Modernizes the American Lifestyle, Palm Springs Convention Center. Stern was Consulting Curator for California Design 1930-1965: Living in a Modern Way, LACMA. He is author of the books California Pottery: From Missions to Modernism and California’s Designing Women 1896-1986, as well as the essays “Edith Heath: Artist of the Everyday,” in Heath Ceramics: The Complexity of Simplicity, and “War and Peace: Unexpected Dividends” in the catalog of California Design 1930-1965: Living in a Modern Way. He has lectured at the San Francisco Museum of Modern Art, the University of Southern California, the Japanese American National Museum, the Orange County Museum of Art, the 49th Annual Symposium of the American Ceramics Circle, Getty Center, Los Angeles County Museum of Art and other venues.

BILL STERN- Creator, Writer, Producer


Creator/ Executive Producer

PJ Letofsky is a Director, Producer specializing in Art and Culture documentaries with an International reach. His current film, “Neutra - Survival Through Design” on the Austrian American Architect Richard Neutra, debuted in Berlin, and Palm Springs Modernism Week in 2019. He directed Tarkovsky: Time Within Time, based on the Russian director Andrei Tarkovsky’s Diary, premiering in Sao Paulo in 2015. His first film, Polly’s GlobalWalk, on his sisters’ 5 year walk around the world for Breast Cancer, premiered for the Mayo Clinic, and was broadcast on PBS in 2010. PJ was born and raised in Minneapolis and studied piano and photography from age 6. He started his career with his Minneapolis cable show TV Party (43 episodes) covering the local arts scene. A seasoned pianist singer songwriter, PJ had his rock bands on the road for 12 years before moving into film. He studied at UCLA and has been Directing, Producing, and editing for over 20 years.

PJ LETOFSKY- Creator, Executive Producer



Jeanine is an independent producer involved with films and television for over 20 years. Her beginnings involved projects such as Academy Award winning Boys Don’t Cry, Sundance premiere Rhythm of the Saints and the highly regarded and award-winning That Evening Sun starring Oscar nominees Hal Holbrook and Mia Wasikowska. In 2004, she was nominated for Film INDependent’s Spirit Awards for producing the feature film Anne B Real. Jeanine served as the Director of Production on The Experiment starring Adrien Brody and Forest Whitaker. She recently produced Sacrifice for JuntoBox Films, Mr. Whitaker’s social media based independent film initiative and Rafi Pitts’ Soy Nero in competition at Berlinale 2016.

Jeanine’s credits include over forty feature films throughout the U.S., Mexico and overseas. Her television credits include Denis Leary’s comedy series Sirens (Fox Television), the Sarah Silverman Program pilot for Comedy Central (Viacom), and Robot Chicken and Morel Orel for Cartoon Network (Turner Broadcasting). Her documentary work includes the

award-winning PBS/BBC series Travels, Hands Across the World (Sony Music Initiative), and several pilots for the Documentary Channel. Jeanine has served on the review committee for the International Documentary Association’s IDA Awards, has been a guest speaker at UCLA’s Graduate Director’s class, the Art Institute of Chicago and Columbia College Chicago. She is adjunct faculty for graduate creative producing at the Art Center College of Design in Pasadena. She is a member of the Director’s Guild of America, the Producers Guild of America, the International Documentary Association, Film INDependent and Women in Film.



CDW Consultant

Diane Keaton is an American actress, director, producer, photographer, real estate developer, author, and singer. One of the most popular actresses of the 1970s and 1980s, she has received various accolades, including an Academy Award, a BAFTA Award, two Golden Globe Awards, and the AFI Life Achievement Award.

DIANE KEATON- Consultant


Executive Consultant

Donna Smith was tapped by Universal Pictures to serve as President of Physical Production and Post Production, becoming the first woman to serve in that role for a major Hollywood studio. Donna began her career as Production Coordinator on RAGING BULL and quickly rose through the ranks, serving as Production Manager, Line Producer and Producer. During her seven-year tenure at Universal, more than 120 titles were released under her leadership including Academy Award Winner, SCHINDLER’S LIST, JURASSIC PARK,THE TERMINATOR, BACK TO THE FUTURE, BABE, CASINO, WATERWORLD, etc.

Cinema Completions International – CEO/President
Having earned a reputation as a highly bondable producer, Donna served as CEO and President of Cinema Completions International, a motion picture completion bond company. Under her leadership CCI guaranteed Academy Award nominated films such as THE HOURS, CROUCHING TIGER/HIDDEN DRAGON, TRAFFIC, THE ENGLISH PATIENT, MATRIX, etc.

Based in Los Angeles with offices in London and Sydney, CCI underwrote completion bonds for movies. Smith green-lit new business and spearheaded strategic planning, managerial insight; guided by an extensive network of relationships with Hollywood studio executives, producers, filmmakers and creative talent. Donna has the honor of being appointed a United States Film Ambassador to China and serves as a Women In Film trustee.

DONNA SMITH- Executive Consultant


Producer / Director / Editor

Julie Janata is a two-time Emmy Award winner, crafting character-rich drama, comedy, music, action and documentary film, TV and streaming projects that have won more than 25 awards worldwide. Sought after as a film doctor, she learned her craft working on Oscar and Emmy-winning productions on four continents for every major studio: Warner Brothers, Universal, Paramount, Fox, Disney, Sony, Lakeshore, Amazon, Netflix, ABC, CBS, PBS, FX, AXS, TLC, Sundance Channel, ESPN, HBO, and Showtime.

Jule learned the art of storytelling on major motion pictures including HEAT, FRENCH KISS, BAD BOYS, THE GHOST AND THE DARKNESS, DISCLOSURE, THE JACKAL and MOONLIGHTING, which won 3 Academy Awards plus 5 nominations, and won 13 Emmy Awards plus 44 nominations.

She is a member of the TELEVISION ACADEMY and EDITORS GUILD. Committed to inclusion, she has volunteered for many years to promote diversity as past President of ALLIANCE OF WOMEN DIRECTORS, and as former Co-Chair of the PRODUCERS GUILD POWER OF DIVERSITY MASTER WORKSHOP, and teaching the Workshop in Amman for the Royal Film Commission of Jordan. She is a founding member of the PGA Women's Impact Network, and a member of the PGA International Committee.

She loves great stories, well told. She's committed to inclusion. And yes, she will go to the ends of the earth!

Credits include:

DIRECTOR - THE AMERICAN; BLACK GIRL MAGIC; GO PUBLIC: WHAT DID YOU DO TODAY?; PASSION; comedy tributes for the Thurber Awards JOE KEENAN: MY LUCKY STAR and ALAN ZWEIBEL: THE MAN...THE MYTH...THE LEGEND... starring Billy Crystal, Rob Reiner, Larry David, Buck Henry and Garry Shandling;

PRODUCER - Emmy Award winner GIRLS ON THE WALL (Story Producer, Editor); ERASING FAMILY (Exec Producer); THE COOLER BANDITS (Producer, 2nd Unit Director); THE HOLLYWOOD COMPLEX (Producer, Editor); THE OFFICER'S WIFE (Producer); FLOCK OF DODOS (Exec Producer); and Independent Spirit Award nominee MAYOR OF THE SUNSET STRIP (Co-Producer, Editor).


JULIE JANATA- Producer, Director, Editor


Director / Producer/ Cinematographer

ONDI TIMONER has the rare distinction of winning the Grand Jury Prize at the Sundance Film Festival twice - for her 2004 documentary, DIG!, and her 2009 top prize-winner, WE LIVE IN PUBLIC. Other award-winning features include: THE NATURE OF THE BEAST (1994), JOIN US (2007), COOL IT (2010) and BRAND: A SECOND COMING (2015). Her 10-hour nonfiction series about the building of "the world's most sustainable town" JUNGLETOWN (2017), for Viceland was also critically-acclaimed.

Timoner's first scripted feature, MAPPLETHORPE, starring Matt Smith - which she, wrote, directed, edited and produced through her production company, Interloper Films, over the last 12 years, premiered at the TriBeCa Film Festival in competition in 2018, taking home the 2nd Audience Award.

Timoner's most recent career achievement awards include: The Rogue Award (Ashland Film Festival, 2015), The No Limits Award (Sarasota Film Society, 2015), The Auteur Award (Kodak, 2017), and the Maverick Award (The Audience Awards, 2017).

Timoner has also produced & hosted BYOD (Bring Your Own Doc) for, creating 300 episodes with top documentary filmmakers over five years. She is the Founder & CEA of A TOTAL DISRUPTION, an online network dedicated to telling the stories of entrepreneurs & artists who use technology to innovate the way we live. Subjects include Amanda Palmer, Shepard Fairey, Russell Brand, Moby, Jack Dorsey, Kevin Systrom, Tony Hsieh etc. Timoner has released two master classes for filmmakers, LEAN CONTENT & HOW TO MAKE A GREAT DOCUMENTARY (IN MY OPINION.) In 2014, Ondi gave a popular TEDxKC talk entitled "When Genius and Insanity Hold Hands" about why she tells the stories of "impossible visionaries."

Current projects include WeTalk, her traveling talk show celebrating the women shaping our culture across arts, entrepreneurship, government and technology; a feature-length documentary about the Opioid epidemic through the eyes of an artist; and a nature series for Disney Digital. She is executive producing several films and series.

Timoner is a member of the Academy of Motion Picture Arts & Sciences, the DGA, the PGA, the International Documentary Association, Women in Film & Film Fatales.

ONDI TIMONER- Director, Producer, Cinematographer


Editor/ Producer/ Director

Larissa James is an Emmy nominated producer who creates inspired stories. With a strong background in Post Production, she develops and produces her own original content. Her projects range from unscripted and scripted television to feature and documentary films. Recent completed projects airing on Netflix include scripted series EastSiders, Season 4 (Editor / Executive Producer) and Hot Chocolate, a feature documentary about Debbie Allen and her dance academy (Editor / Story Producer).

LARISSA JAMES- Editor, Producer, Director


Director, DP

Svetlana's feature-length directorial debut is the award-winning "Show Me What You Got". An ode to "Jules et Jim" and the rule-breaking French New Wave, the film has been called "A work of courage in search of the meaning of life" by MadMass Cinema in Italy and "a captivating well-acted story with great style" by FilmThreat. "Show Me What You Got" tells the story of three twentysomethings, Marcello, Nassim and Christine, who form a ménage à trois and struggle to prove their worth to their families and the world around them. Currently playing in festivals, "Show Me What You Got" has garnered 5 awards and one nomination in just 8 festivals so far, including being awarded the Grand Jury Prize by Oliver Stone at it's world premiere in Taormina, Italy.

Svetlana also directed the genre film "Deadly Switch" starring Dylan Walsh, Teri Polo and Danika Yarosh, currently on Netflix, and she received the Grand Prix du Public at Films de Femmes for her short autobiographical film "No War" and Best Documentary at LA Shorts Fest for her blend of narrative & documentary styles for "Yours Sincerely, Lois Weber."

Svetlana's background is in cinematography. She is known for her work on many critically acclaimed documentaries, including OSCAR® Winner "Inside Job," OSCAR® Nominated "Facing Fear," the Cannes Official Selection "Red Army," and the Sundance US Documentary Special Jury Prize-winning "Inequality For All." In addition, she was the first cinematographer on films such as OSCAR® Winner "O.J.: Made in America" and Sundance documentary "Miss Representation", setting the look for those films.

Svetlana has been a member of the Academy of Motion Picture Arts and Sciences since 2019.



Director of Photography- ASC

Nancy Schreiber, ASC is an award-winning cinematographer based in both New York and Los Angeles. She was the fourth woman ever voted into membership into the prestigious American Society of Cinematographers, and in 2017, the first woman ever to receive the ASC President’s Award. She recently received the Susan B. Anthony "Failure is Impossible" Award at the High Falls Film Festival for her extensive work and her contribution in supporting women in the film and television industries.

Schreiber was honored with the Best Dramatic Cinematography Award at Sundance for the film November, directed by Greg Harrison starring Courteney Cox. She also shared the Best Cinematography Award at Sundance for My America… Or Honk If You Love Buddah, and she garnered an Emmy nomination for Best Cinematography on the acclaimed Celluloid Closet for HBO.

Schreiber has filmed countless features most recently, Mapplethope, lensed in New York, for director Ondi Timoner, Moving Parts for director Emilie Upczak, photographed in Trinidad, and Kepler’s Dream, filmed in New Mexico for director Amy Glazer. Schreiber’s television work includes ABC’s The Family with Joan Allen and Alison Pill, the FX show, Better Things, starring and co-created by Pamela Adlon, and DP on the series, The Comeback, with Lisa Kudrow.
She photographed numerous Sundance premieres including: The Nines, Motherhood with Uma Thurman; and Loverboy directed by Kevin Bacon, with Kyra Sedgwick, Sandra Bullock, Matt Dillon and Marissa Tomei. She’s also shot: Serious Moonlight with Meg Ryan, Tim Hutton, Justin Long and Kristin Bell (Tribeca), Everyday, directed by Richard Levine, with Helen Hunt, Liev Schreiber, Brian Dennehy, Carla Gugino and Eddie Izzard (Tribeca); as well as Neil La Bute’s Your Friends and Neighbors, with Ben Stiller, Catherine Keener, Aaron Eckhart, Amy Brenneman, Jason Patric and Natasha Kinski.

Schreiber taught advanced cinematography at the American Film Institute in 2010-2011 and has guest lectured at all the film schools in New York, San Francisco and Los Angeles. She also served on the board of the ASC for seven years, was on the foundation board of Women In Film, is a huge supporter and member of Film Independent, IFP and IDA, and is a member of the Academy of Motion Picture Arts and Sciences.

Schreiber enjoys shooting documentary, including the critically acclaimed film Eva Hesse, directed by Marcie Begleiter, and also shot additional photography on Woody Allen for PBS’ American Masters, as well as Metallica: Some Kind of Monster, and HBO’s Paradise Lost 2 and 3, directed by Joe Berlinger and Bruce Sinofsky.

NANCY SCHREIBER- Director of Photography ASC


Story Producer

Chrissy Jean Dodson is an Emmy-nominated producer and passionate storyteller. She’s served as a producer, writer and editor for television and film as well as interactive media including video games and iOS/Android apps. Her most recent projects include Netflix’s Styling Hollywood, Bravo’s Shahs of Sunset, and the soon to be released LGBTQA documentary series EQUAL for HBO Max. Her passion for media translates to her volunteer work with the Girl Scouts and the Geena Davis Institute on Gender in Media.

– Story Producer


Graphic Designer, Key Art

Astrid Chevallier has gained international recognition for her Design and Key Art work and Posters for the film industry, cities, and theaters. Astrid operates as the creative director at Purple Red, a California based boutique design studio, where she loves engaging into creative design challenges, fine art projects, and equestrian photographic adventures. She has been classically trained in Fine Arts schools in Paris, France, and is the proud owner of a thoroughbred horse who is the main inspiration for her current personal work.

ASTRID CHEVALLIER- Graphic Designer, Key Art


CDW Consultant

Barbara Bestor, FAIA is founding principal of Bestor Architecture. Since 1995, Bestor Architecture has actively redefined Los Angeles architecture with a practice that rigorously engages the city through design, art, and urbanism. Increasingly, her firm has been applying L.A.’s lessons to national undertakings. Bestor has designed new ways of creating accessible urbanism in her “stealthy density” Blackbirds housing, groundbreaking retail and restaurant flagships, dynamic workspaces for Beats By Dre and Snap, award-winning experimental residences and pioneering arts projects that are deeply rooted in their communities and cultural context.




leslie shapiro joyal is the founder of shapiro joyal studio, an interior and furniture design firm located in the heart of miracle mile. Her diverse experience in architecture, design and art history helps bring a complimentary voice to the CDW project. Firmly embedded in Los Angeles design for 3 decades, Leslie has been well regarded for advancing a paradigm shift in the furniture industry - steadfastly highlighting the goal of slow furniture…using local artisans, sustainable materials and expert craft to create heirloom quality pieces that are minimal and timeless.

She and partner Simon Joyal have offered the use of their beautiful Los Angeles studio for meetings and events.

leslie shapiro joyal, ASID

– Our Meeting Space


CDW Consultant

Sheila Tepper, a Founding (and current) Board Member of the Museum of California Design, is a producer of cultural programming and a long-time advocate of an American National Design Council. She is the Coordinating Producer of Arts Alive on KUSC (2007-Present) and the Features Editor of KUSC’s Members’ Guide. She is also a contributing reporter for the station’s blog, Out & About. For many years Tepper was the Executive Producer of KUSC’s Backstage LA and the station’s Backstage California (1990-2001).



CDW Consultant

Judie Gregg Rosenman has enjoyed a diverse career in the entertainment business as a writer, casting director, studio executive and television producer. She is Vice President of the Film Music Foundation and produces several of the pieces for their ongoing series about film music luminaries. She is currently working on one about her favorite composer, Leonard Rosenman, who was also her favorite husband.



CDW Consultant

Pat Kirkham is a design historian, a university professor and a Getty Scholar. She is Professor of Design History at Kingston University, London, England, and Professor Emeritus of The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture in New York. Among her many publications are: Women Designers in the USA, 1900-2000: Diversity and Difference, Yale University Press (ed. and contributing author), 2000. The Gendered Object, Manchester University Press, (ed. and contributing author), 1996, and Charles and Ray Eames: Designers of the Twentieth Century, MIT Press 1995. She contributed the Foreword to California’s Designing Women 1896-1986, Museum of California Design, 2013. Kirkham is the recipient of the George Wittenborn Award, (Art Libraries Society of North America) and the Susan B. Koppelman Award, (American Culture/Popular Culture Associations).

PAT KIRKHAM- Consultant

MARIA TURNER- Leica Photographer

Leica Photographer

MARIA TURNER- Leica Photographer


California’s Designing Women: 1896-1986 illuminates what by now should be abundantly apparent: that between 1896 and 1986 women have deserved an equal place both in the design studio and as design entrepreneurs. But this story doesn’t end in 1986: the contributions to design made by women in subsequent decades merit the equal attention that we will give them. Right now we are building a sterling production team with whom we will create an ongoing stream of compelling episodes dedicated to California’s remarkable women designers. Join us!

P.S. There’s more about California’s Designing Women at: 

And the California’s Designing Women book is available on Amazon:


Part of the Mid-Century Modern section of the
California’s Designing Women 1896-1986 exhibition
at the Autry Museum, Los Angeles, 2013-14.
Photo: Larry Underhill.


Phone: 323-930-2700  c 323-377-0371





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